This is the new Shango Records single "Byzantine Call/Deisis" by Dio S that comes with gentle remixes by the likes of Seldjan Dervish, Slow Nomaden and Beyhude. Let the beauty of this music take over your entire senses.
This is what the artist/label says about the release:
After everything had quietly sifted through my head a great peace came over me. Here, where the river gently winds through the girdle of hills, lies a soil so saturated with the past that however far back the mind roams one can never detach it from its human background. Before my eyes shimmered such a golden peace that only a neurotic could dream of turning his head away. So quietly flows the water that one hardly notices its presence. It is always there, quiet and unobtrusive, like a great artery running through the human body. In the wonderful peace that fell over me it seemed as if I had climbed to the top of a high mountain: for a little while I would be able to look around me, to take in the meaning of the landscape. Human beings make a strange fauna and flora. From a distance they appear negligible, close up they are apt to appear ugly and malicious. More than anything they need to be surrounded with sufficient space-space even more than time. The sun is setting. I feel this river flowing through meets past, its ancient soil, the changing climate. The hills gently girdle it about, its course is fixed.
2019/04/30
2019/04/29
Muito Kaballa - Everything Is Broke
Today I would like to recommend you the upcoming Muito Kaballa Album "Everything Is Broke" that will be out 10.05.2019 on Switchstance Recordings.
Labelled a world music artist, Muito Kaballa offers grooves of an Afrobeat persuasion, refracted through the restless energy of punk; kindred spirits Ebo Taylor and Fela Kuti, legends of African highlife music, impress upon his work indelibly. Such musicianship has produced a pleasing cacophony in Everything is Broke, Kaballa's debut album, which takes in his usual influences of street funk, jazz, Afrobeat and just the slightest etchings of hip-hop. Edging out even further in his experiments this time, the artist now explores the nervous, juddering energy of New Orleans inspired pop, running freely the course of the album with the sensual sounds of the city's Latin Quarter.
Built on the back of improvisation, Kaballa's music employs an on-the-pulse approach in style, where, for every measured arrangement, there is the sense of using every rudiment skill on hand. Essentially a one-man band, Kaballa is as adroit with the various live instruments he plays as he is with the electronic sequencers he uses to loop his grooves. He ensures there are surprises at every turn and his experience playing to crowds on the hustling and bustling streets of Cologne has taught him such ingenuity.
Sweet jams like 'Quasi' bristle with Dixieland funk and salsa rhythms while a searching, Moog-rippled number like 'Tin Tin' riff smartly with jump-start drums. The Brazilian notes on the chunky 'Lugor Ao Sol' are underpinned by an Afrobeat sway, and the lambent, twilit 'The Easy Way' opens the album as softly and warmly as the coastal waters that surely inspired it. At turns elegant and rough-hewn, these eight ventures into a textured and multifarious pop are very much rooted in the street culture it was born from; the sly, punkish element that runs through Kaballa's work is still firmly in place here. And, yet, Everything is Broke dreams of cities far beyond the ones the listener could ever hope to know. It is the sound of the hustling and bustling of people everywhere, making their way across a traffic-congested city to a dream of elsewhere...
Labelled a world music artist, Muito Kaballa offers grooves of an Afrobeat persuasion, refracted through the restless energy of punk; kindred spirits Ebo Taylor and Fela Kuti, legends of African highlife music, impress upon his work indelibly. Such musicianship has produced a pleasing cacophony in Everything is Broke, Kaballa's debut album, which takes in his usual influences of street funk, jazz, Afrobeat and just the slightest etchings of hip-hop. Edging out even further in his experiments this time, the artist now explores the nervous, juddering energy of New Orleans inspired pop, running freely the course of the album with the sensual sounds of the city's Latin Quarter.
Built on the back of improvisation, Kaballa's music employs an on-the-pulse approach in style, where, for every measured arrangement, there is the sense of using every rudiment skill on hand. Essentially a one-man band, Kaballa is as adroit with the various live instruments he plays as he is with the electronic sequencers he uses to loop his grooves. He ensures there are surprises at every turn and his experience playing to crowds on the hustling and bustling streets of Cologne has taught him such ingenuity.
Sweet jams like 'Quasi' bristle with Dixieland funk and salsa rhythms while a searching, Moog-rippled number like 'Tin Tin' riff smartly with jump-start drums. The Brazilian notes on the chunky 'Lugor Ao Sol' are underpinned by an Afrobeat sway, and the lambent, twilit 'The Easy Way' opens the album as softly and warmly as the coastal waters that surely inspired it. At turns elegant and rough-hewn, these eight ventures into a textured and multifarious pop are very much rooted in the street culture it was born from; the sly, punkish element that runs through Kaballa's work is still firmly in place here. And, yet, Everything is Broke dreams of cities far beyond the ones the listener could ever hope to know. It is the sound of the hustling and bustling of people everywhere, making their way across a traffic-congested city to a dream of elsewhere...
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